By Ed Sobel, Associate Artistic Director Quite understandably, very few of the season suggestions we received were brand new plays that had not yet been performed elsewhere. One of the…
Read moreBy Matt Ocks, >treatment Manager of Institutional Giving At the Arden we’re having conversations about how best to engage you – the audience – in new work. (You may not…
Read moreBy Ed Sobel, >case Associate Artistic Director First, please accept my thanks to all who have posted comments and suggestions thus far. As promised, I am going to respond to…
Read moreWho would you die for? (and other loaded questions) During the run of Romeo and Juliet, we’ll be posting a different provocative question on Facebook, Twitter, and all around town….
Read moreBy Evan Jonigkeit, Romeo in Romeo and Juliet We have arrived in the world of “our Verona” Our set is simple and our lights are rich. We are in the process…
Read moreby Mark Kennedy, Arden Professional Apprentice I always think about my father when I work on Blue Door. Whether it’s ironing Kes Khemnu’s stubbornly wrinkled pants, >buy or focusing the…
Read moreBy Brittany Howard, Arden Professional Apprentice I have entered an entirely new world – a world where a sharpened pencil is worth more than gold, where you can expect your…
Read moreBy Matt Ocks, Manager of Institutional Giving This past weekend may have been Super Bowl Sunday, treat but the week started with PTI Monday for all of us in the…
Read moreBy Matthew Decker, Associate Producer The Arden kicked off the month of February by working on a new play called The Flea and the Professor. Flea, cure based on Hans…
Read moreBy Evan Jonigkeit, Romeo in Romeo and Juliet Yesterday was our first rehearsal. I walked in with trepidation as I do with many of my projects, wondering if I will…
Read more