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Welcome to the Arden Theatre Company blog, where we share behind-the-scenes stories and current happenings with you. You will hear from the Arden staff as well as actors and other visiting artists, and we hope to hear from you, too. If you have an idea for a topic, please post a comment about it. We can't wait to hear what you think!

by Bryan Kerr, Education Associate

It’s no understatement to say that we were curious how our Teen Arden students would react to our current show–Endgame. Since Beckett is more often a text explored in college rather than High School, none of us were expecting the amazing response our teens had to the show! They were engaged, laughing, and had some amazing questions for the talk-back afterwards and for our post-post-show with Scott Greer (Hamm) and James Ijames (Clov).

Take a quick look at how our night progressed:


Photos by Plate 3 Photography

I mean really, what night isn’t great when you start with a delicious spread of Chinese food!

If you or someone you know is interested in Teen Arden, all you have to do is LIKE us on Facebook and you’ll get all the information for upcoming events…like our Bites, Drama, Acess: A Raisin in the Sun on Friday, March 22.

We hope to see you there!

Playwright Rogelio Martinez on the set of our 2011 Season Production of “Wanamaker’s Pursuit”

In conjunction with the March 27th international celebration of World Theatre Day, Rogelio Martinez, playwright of last season’s Wanamaker’s Pursuit, weighs in on the state of theatre today:

THE CRY OF AN ANGRY CHILD

It’s 3:00 in the morning and I can hear my four month old crying in her room. She’s hungry. Never mind that she ate two hours ago, she’s hungry now. She’s hungry and she’s letting us know. Afterwards I lie awake wondering what it must be like to have such strong needs. Surprisingly enough, this leads me to thinking about theatre today, and its struggle to survive.

Many believe that it’s long past the dawn of theatre. Some would argue that we’ve reached night and it’s lights out for everyone involved. However, the optimist in me believes we may be nearing another dawn. There’s no doubt that theater today is fighting for relevance. Today the cries our profession makes have never been sharper, louder. Like a child awake in the middle of the night, theatre can’t exist on its own. Secretary of State Clinton made famous an African proverb in her book, It Takes A Village. In today’s world, it is going to take more than a village to give theatre a new dawn. In fact, it is going to take a new attitude.

The new attitude I speak of has to do with understanding and embracing the basics of theatre. Theatre happens when the ideas of a few clash with the beliefs and sentiments of many. It is in that magical space between creator and audience where theatre happens. Unlike any other art form, theater needs an audience to come alive. Good theater unifies an audience early on. In other words, an audience of 5, 50, 250 suddenly finds that they are one. For two hours (shorter, longer) good theatre makes an audience whole. The power an audience feels when they’re united is exhilarating. It is inspiring. Theatre reminds audiences that at heart we are all social creatures.

Theatre’s uniqueness is what will guarantee it a new dawn. Technology is constantly helping us find new ways to be entertained, to engage the world around us. Alone. The price we pay for all this great technology is our relationship with others. Good theater continues to remind us that we are part of a larger whole. For theater to exist there must be at least two people in the audience collectively working as one.

What is theatre’s angry cry but the cry for us not to distance ourselves from others.

-Rogelio

By: Emily Poworoznek, Marketing Intern

In this episode, Fen gives a behind the scenes look at the set of Cyrano. Featuring interviews with Glenn Perlman and Martin Stutzman.

by Emily Poworoznek, Marketing Intern

Hello There,

This is my first official blog post on The Arden’s blog so I should probably introduce myself to the readers out there.

Roxane (Jessica Cummings) and Christian (Luigi Sottile) during the romantic balcony scene.

My name is Emily Poworoznek and I am the Marketing Intern here at Arden Theatre Company. I am currently a senior psychology major and theatre minor at Villanova University and loving every moment of my internship at the Arden.

As a student, I tend to be pretty careful about how I spend my money. I’m always looking for a great deal. Arden Theatre Company offers $5 student rush tickets if you arrive at the theatre 5 minutes before a show, subject to availability. Make sure you bring your student ID to the box office and tickets are limitied to one per ID. Students can come see quality regional theatre for $5! Such a great deal!

Eric Hissom as the title role of "Cyrano" running now until April 15, 2012.

The Arden’s production of Cyrano opened this past week and is already receiving great reviews. Check out this great article in The Philadelphia Inquirer by Theatre Critic Howard Shapiro! Put that Student ID to good use and don’t miss the opportunity to see the Arden’s adaptation of this romantic French classic.

by Catherine Logan, Marketing Assistant

A friendly First Friday audience watching the performance and enjoying their free beer from Boxcar Brewing Company.

My favorite event each month at Arden Theatre Company is “First Friday”. The first friday evening of each month, Old City galleries and local businesses open their doors and welcome the neighborhood in to show new work, promote new and upcoming artists, enjoy a glass of wine, and listen to musicians play on the sidewalks.

Our next “First Friday” is March 2, 2012 5:30pm-8:00pm. We will be giving out FREE BEER from Boxcar Brewing Company (21+ While Supplies Last) in the lobby. We will be featuring Boxcar’s Winter Ale and IPA.

A view from the street look into the Independence Foundation Studio First Friday performance.

There will also be a short improv performance from The N Crowd 6:00pm-7:30pm. We are extremely excited about this group performing in our Independence Foundation Studio as one of the performers, Tara Demmy, is a former APA Class of 18.

We hope you will stop by to say hello, grab a free beer, and enjoy a laugh filled evening of improv!

 By: Jessica West, Associate Production Manager & Alison Roberts, Costume Supervisor

 After I figured out my “Arden Top 10”, I started to wonder how my list would differ from other long time staff members.  Would we have some of the same favorites?  I asked the Arden’s Costume Supervisor, Alison Roberts, to choose her “Arden Top 10”.  Alison and I both started the 2000-2001 Season.  I started as an Arden Professional Apprentice (Class 8 for all you alums out there) and Alison has held the Costume Supervisor position since 2000.  While my involvement with Arden productions has been in many different capacities over the years, she has built costumes for 70 Arden productions to date.  That’s a lot of clothing!  In her 10 ½ years at the Arden, she has only missed 2 productions (Loot and Winesburg, Ohio).  Those 2 absences must be excused though because they brought us Max Perlman, the intelligent and well spoken 5½ year old son of Alison and our Technical Director, Glenn Perlman.  A burgeoning artist in his own right, Max is one of our children’s theatre test audience members and his opinion is highly regarded here at the Arden as a young connoisseur of theatre.  Ask him about Go, Dog.  Go!.  I think it may be his benchmark for quality theatre and you won’t be disappointed with the engaging conversation you have with him.

 So without further ado, I give you…

 Alison’s Arden Top 10  (in date order, not in order of preference) 

 1. Superior Donuts (2010-2011 Season)

 I just finished designing costumes for this, so it’s hard not to put it on the list.  The first time I read it, I was so impressed with the writing I couldn’t wait to start working on it. The cast that Ed Sobel and the artistic department put together is a really wonderful cast and they brought all the characters to life so well.  They made my job easy.  I enjoyed watching this from rehearsals to opening night.

 2. A Moon for the Misbegotten (2010-2011 Season)

 This show was really special to me because of the collaboration I had with Grace Gongleski and Matt Pfeiffer. We met far in advance to discuss how the show wanted to look and it was truly a group effort.  I felt very proud of the work we did.

 3. Blue Door (2009-2010 Season) 

 This story is so important for everyone to hear.  It was so specific to a time, but at the same time completely universal.  Brilliant writing and gorgeous lighting and amazing acting.

 4. Go Dog, Go. (2007-2008 Season)

 When we first announced we were doing this show I really had no idea how a book that short was going to be an hour long show.  It was so cute and so imaginative and funny-I loved it! Plus, it was my son’s first Arden Children’s Theatre show so seeing it through his eyes made it more special.

 5. A Prayer for Owen Meany (2006 -2007 Season)

 I love John Irving, so I knew I was going to like this show.  The actors were excellent and it was a pleasure to bring that story to the stage.

 6. A Year with Frog and Toad (2004-2005 Season & 2008-2009 Season)

This is probably my all time favorite show.  The music was wonderful and the costumes, designed by Richard St Clair, were so creative and charming.  It was also heartwarming and fun. I am a self-proclaimed Frog and Toad groupie. We traveled to another theatre to see their production and we still listen to the soundtrack in the car (even without the kids).

 7. Sweeney Todd (2004 – 2005 Season)

 The set, designed by David Gordon, was incredible.  I loved how the whole set was turned to the side of theatre space and incorporated multiple levels of the space.  The singers and music were outstanding and I learned lessons about using fake blood on costumes that I have carried through to this day.

 8.  Picasso at the Lapin Agile (2000-2001 Season)

 Hilarious script and gorgeous set by Bob Phillips. The costumes, by Marla Jurglanis were beautiful and I still use the corset pattern that I developed during that show. 

 9. Jungle Book (2000-2001 Season)

 This was my first experience with Arden Children’s theatre and I was blown away at how much it was produced just like the other shows. The music, by Michael Ogborn, was so charming and the set was like a huge jungle gym! It was also my first production with Jilline Ringle who played Baloo and so that also makes the memory of the show special.

 10. Opus (2005-2006 Season)

 A beautifully written story. I enjoyed how much I cared about the characters and was engrossed in their struggles.

©2009 Arden Theatre Company, 40 N. 2nd St., Philadelphia, PA 19106. For tickets, call 215.922.1122.
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